“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic generation turns the male gaze back on itself. True, it’s hard to think of the actress who’s had to be naked onscreen for your longer duration of time in a single movie than Emmanuelle Beart is in this one particular.
, among the list of most beloved films with the ’80s as well as a Steven Spielberg drama, has lots going for it: a stellar cast, including Oscar nominees Whoopi Goldberg and Oprah Winfrey, Pulitzer Prize-profitable supply material as well as a timeless theme of love (in this scenario, between two women) as a haven from trauma.
This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who decide to go to one last party now that high school is over. Dever's character has among the list of realest young lesbian stories you'll see in the movie.
“The End of Evangelion” was ultimately not the top of “Evangelion” (not even close), but that’s only because it allowed the collection and its creator to zoom out and out and out until they could each see themselves starting over. —DE
A sweeping adventure about a 14th century ironmonger, the animal gods who live in the forest she clearcuts to mine for ore, along with the doomed warrior prince who risks what’s left of his life to stop the war between them, Miyazaki’s painstakingly lush mid-career masterpiece has long been seen for a cautionary tale about humanity’s disregard for nature, but its true power is rooted less in protest than in acceptance.
auteur’s most endearing Jean Reno character, his most discomforting portrayal of the (very) young woman to the verge of a (very) personal transformation, and his most instantly percussive Éric hqpprner Serra score. It prioritizes cool style over widespread perception at every possible juncture — how else to elucidate Léon’s superhuman capacity to fade into the shadows and jav hd crannies of the Manhattan apartments where he goes about his business?
“He exists now only in my memory,” Rose said of Jack before sharing her story with Bill Paxton (RIP) and his crew; by the time she reached the top of it, the late Mr. Dawson would be remembered through the entire world. —DE
“Acknowledge it isn’t all cool calculation with you – that you’ve acquired a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film provides a heart as well.
If we confess our sins, He's faithful and just and will forgive us our sins and purify us from all unrighteousness.
Navigating lesbian themes was a tricky undertaking within the repressed setting in the early 1960s. But this revenge drama experienced the advantage of two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, during the leading roles, as well as three-time Best Director Oscar winner William Wyler with the helm.
This critically beloved drama was groundbreaking not shameless shemale eva lin enjoys anal sex with a random bf only for its depiction of gay Black love but for presenting bang bros complex, layered Black characters whose struggles don’t revolve around White people and racism. Against all conceivable odds, it triumphed over the conventional Hollywood romance La La Land
In “Odd Days,” the love-sick grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism on the blackmarket, becomes embroiled in an enormous conspiracy when one of his clients captures footage of a heinous crime – the murder of a Black political hip hop artist.
His first feature straddles both worlds, exploring the conflict that he himself felt as being a young male in this lightly fictionalized version of his very own story. Haroun plays himself, an up-and-coming Chadian film director situated in France, who returns to his birth country to attend his mother’s funeral.
Established during the present working day with a Daring retro aesthetic, the film stars a young Natasha Lyonne as Megan, an innocent cheerleader sent to the rehab for gay and lesbian teens. The patients don pink and blue pastels while performing cartoon sex straight-sex simulations under the tutelage of the exacting taskmaster (Cathy Moriarty).